Script & shot breakdown
A premise becomes a script, then a numbered shot list with beats, dialogue and coverage.
AI drama studio & streaming
One side is a drama app for global audiences — 53 titles, 3,026 episodes, seven genres. The other is the AI production line behind it: a one-line premise goes in, a finished episode comes out.
Vertical, English-language, one to two minutes an episode.
For viewers
English-language drama shot for the phone: 1080×1920, one to two minutes an episode, so a whole title finishes in an evening. The catalog comes from partner channels and keeps growing.
Slow burn, held glances, and the confession that finally lands.
Written off, counted out, and back with a plan.
A second run at the life that went wrong the first time.
Contracts, curses, and worlds that run on their own rules.
Two people, one bad idea, and no way back from it.
Bloodlines, wills, and a dinner table used as a battlefield.
Money, leverage, and the one person who will not be bought.
53 titles, in your browser.
Titles on kioktv come from partner channels
For studios and MCNs
Six stages on one canvas. You work in production terms — scenes, characters, shots, takes — not sampler settings and node graphs. Nobody on your team has to open ComfyUI.
A premise becomes a script, then a numbered shot list with beats, dialogue and coverage.
Lock a face and a location once. They stay the same face and the same location in every shot, every episode.
Every shot gets a still first. Composition gets fixed on cheap frames, before any GPU time goes into motion.
Approved frames drive video on LTX and WAN2.2, queued across four cards and rendered straight to vertical.
Cast a voice, generate the take, then drive the mouth to match it frame for frame.
Shots, audio and subtitles cut to a 1080×1920 master that is ready to publish as it comes out.
Why kioktv
Most AI video shops are a thin layer over someone else's API and someone else's queue. When the render backs up or the model changes under them, that becomes your delivery problem.
Four RTX 5090s, ours. Capacity gets scheduled against your delivery date instead of rationed behind another tenant's queue, and a re-cut on Friday night is a scheduling decision, not a ticket.
Script, assets, frames, video, voice, lip-sync, assembly — one system, one team. Changing a character's look at stage two doesn't mean re-briefing three vendors and waiting a week to see it.
Vertical is the default output, not a 16:9 render with the sides cut off. Framing, subtitle safe areas and one-to-two-minute pacing are in the tooling because that is the only format we ship.
kioktv isn't only a vendor — we operate a short-drama app of our own. The pipeline was built by people who have to hit a publishing schedule with it, which is a very different pressure from building a demo.
Get started
Seven genres and 3,026 episodes, straight in your browser. No download, no waitlist — pick a title and start.
Open app.kioktv.comTell us the slate you want to ship — genre, episode count, the date it has to be live — and we'll walk you through the pipeline on a real episode.
partners@kioktv.comStudios, MCNs and teams taking their own content overseas.